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*"The transition from the ''fin de siècle'' state of approaching perfection of science into the turmoil of our present century is, I believe, the most interesting and also the most crucial line to follow if we wish to have an understanding of the process of modern science. If anything can, it is this that may reveal more significance than its purely local record of advances in some special area at some special time." p 142-143 | *"The transition from the ''fin de siècle'' state of approaching perfection of science into the turmoil of our present century is, I believe, the most interesting and also the most crucial line to follow if we wish to have an understanding of the process of modern science. If anything can, it is this that may reveal more significance than its purely local record of advances in some special area at some special time." p 142-143 | ||
*"It is a pity that it has been forgotten that the discovery of X rays became the first modern scientific break to get banner headlines in the newspapers. Its coverage exceeded that of Charles Darwin: perhaps newspapers had become more sensational in the few intervening decades. It almost rivals, too, the sort of sensation created in our own age by the first atom bomb and the manmade satellite. For weeks, running into months, there were stories, some partly true, some fantastic. The public was fascinated, often for the wrong reasons. Old ladies went into their baths fully clothed, being convinced that the scientists now had mystery rays that could look through brick walls and round corners. From this new mythology of science were born all the wonderful tales of death rays and other science-fictional flights of fantasy, vintage Jules Verne." p 148-149 | *"It is a pity that it has been forgotten that the discovery of X rays became the first modern scientific break to get banner headlines in the newspapers. Its coverage exceeded that of Charles Darwin: perhaps newspapers had become more sensational in the few intervening decades. It almost rivals, too, the sort of sensation created in our own age by the first atom bomb and the manmade satellite. For weeks, running into months, there were stories, some partly true, some fantastic. The public was fascinated, often for the wrong reasons. Old ladies went into their baths fully clothed, being convinced that the scientists now had mystery rays that could look through brick walls and round corners. From this new mythology of science were born all the wonderful tales of death rays and other science-fictional flights of fantasy, vintage Jules Verne." p 148-149 | ||
* "With the consequent increase in perplexity, more scientists abroad tried the experiments, some of them spending much time and ingenuity in trying to get an effect. Some few in countries other than France were indeed successful, but for every one of these there were a dozen men of high repute who became convinced that something was very rotten in the state of French physics." p 155 | |||
===References=== | ===References=== |